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Monthly Archives: August 2009
31
Aug
TRF – EZ DO DANCE
This is a catchy tune, video’s old and kinda funny (this single was launched 1993), and I am sure it would be a hit here if Filipinos have heard about TRF (remember Pizzicato Five and Globe?).
If you want to sing along, here’s the romaji lyrics (taken from here):
I can hear my voice ima hajimaru
Midnight time kono basho de
Iku ate ga onaji nakama to subete no uso nugi-saru
Nigete yuku no? Satte yuku no? Odoru kimi wa doko kara
Sasoku yume katari atte kizu nameatteru datenshi
Easy go Easy go egao dake hito-toki no wa wo tsunagu yo
* I’ve got a feeling Tsukinuketeku
machi ga me samasu koro
asa-yake ni kuchi-zuketeru nami mo dakishimeteru
EZ do dance EZ do dance
odoru kimi wo miteru….
EZ do dance EZ do dance
kimi dake wo miteiru….
Hoshii mono wa itsudatte fui ni osou guuzen
Mienai asu totsuzen ni meguriaeru tokimeki
Gozen go ji eien no RULE kawaru shun-kan
Kitto kitto ai nante yoberu mono ja nai kedo
repeat *
29
Aug
A failed attempt at bokeh
Exposure: 0.167 sec (1/6)
Aperture: f/8.0
Focal Length: 42 mm
ISO Speed: 400
23
Aug
Orthros no Inu
Orthros no Inu has an interesting premise, eye candies for the fan girls, and a slow start guaranteed to pique your interest regarding the characters.
The premise of the show was established on the first episode: basically, you have an “evil” person having the power to heal, and a good young man having the power to kill, basically reversing the roles of common archetypes. Aoi Ryosuke (played by Ryo Nishikido) was a teacher who, due to several events (an incident involving one of his students and a gang of drug pushers, and the same gang threatening to kill a detective) was forced to kill. Ryozaki Shinji (Takizawa Hideaki), a death row inmate convicted for murder, healed the wounds of the prison warden.
The seeming contradictions in the characters and their powers, and the inevitable conflict being brought about by their powers and circumstances, drive the story. It is an interesting study of human character and morality, of being forced by circumstances to do something against one’s convictions, and acceptance of what one has and what one can do. I am sure all of us have experienced doing something against our will by force of events not of our doing.
The character of Aoi is established in the first episode, but the same cannot be said of Ryuzaki. He is a convict, he is on death row, and he’s handsome as hell. So is he a bad guy? Takizawa is perfect for the role: he is handsome enough to give the character the benefit of the doubt. At first glance, there is no hint of evil in the man. Yet he has the power to heal. The contradictions in the character will confuse you enough to make you doubt your own prejudices.
As for the character of Aoi, Nishikido plays it simple – charming, conscientious – making his character likeable at once. You could feel the clashing thoughts in his brain as he was being needled by Ryuzaki to kill. In two episodes, Aoi has already killed three people. You’d wonder if there was even a conflict at all! Still, I so can relate by that internal conflict. Let’s face it – if it is not illegal nor immoral, we could have murdered a person or two.
What did I like about the drama? Yes, there’s the characters. There’s the story. The opening music and billboard’s blah, the acting’s mixed. And I am sure fan girls go for the eye candies. There’s Takizawa, there’s Nishikido, and there’s Yaotome Hikaru. Yaotome’s character development was kinda slow, and the fact that he gets billing for such a limited screen time, I wonder if he’s there for the acting, or he’s additional eye candy. This is unfair for Hikaru; maybe he’s role going to be expanded in future episodes (I had seen two, and there are 5 episodes filmed). But it was a surprising role, and he chews on it as if he’s been a bad guy since birth. His brawling is unconvincing – he does not have the build for brawling. Maybe they could have him do martial arts, instead?
And I am sure fan girls are waiting for Takizawa and Nishikido to go topless. Heck, both of them have rain scenes on the first episode, and they could have gone topless. They were waiting to see the two like these:
You are most welcome, ladies.
And to be fair to Hika fans:
You are most welcome, ladies.
Anyway, I have enjoyed watching this drama, and looking forward to new episodes. There are English-subbed copies somewhere, care of your friendly subbers. I am sure you know how and where to look. *wink, wink* For those in Japan or have access for Japanese channels, it’s on TBS every Friday, 2200 Japan time.
17
Aug
Our Future
Yuri Chinen, Hikaru Yaotome, Ryosuke Yamada with BI Shadow at School Kakumei, July 7, 2009. One of the better songs. Too short, though.
16
Aug
Tainted
Too bad for Caparas and Alvarez, the conferment of the title is as tainted as the electoral victory of the one who conferred the title.
When the new set of National Artists were announced, I wondered who Magno Carlo J. Caparas was – I thought he was Carlo Caparas, the master of massacre films and bromance films; finding the name of Cecile Alvarez was somehow “off” to me. True enough, some people had started protesting the announcement, and then it was disclosed that four names were inserted (including Caparas’ and Alvarez’s names) in the list of recommendations by NCCA and CCP, and one name was dropped.
Amidst mounting protests by National Artists and other artists, Alvarez and Caparas mounted a defensive through a barrage of media interview and press conferences and mouthfuls and mud slinging, even reducing the discussion to a class war. Even proxies of the two had entered the fray, adding their artistically thought-off explanations and rationalizations. I will not argue anymore about what the defenders had said; the artists have spoken, and I have nothing more to add; besides, I am just a rambling old man.
But what I had learned from this issue is a reinforcement of what I have been observing since 2005 – the slow death of values that has governed our conduct as citizens of this country. To find an honest person nowadays is like playing Contra – you’d need the Konami code to find one. The problem is that being honest does not pay. Our system of values is being corrupted. It will be overthrown soon.
Only a few people can define what delicadeza is. Alvarez’ main defense is that delicadeza does not apply on her (what arrogance) since she was not part of the selection process. Not only she does not understand the concept, she saw herself as beyond it, just like the person who conferred the title – she is beyond the reach of the rule of law by supplanting it with rule by law. No amount of prohibition from applicable laws will deter these two from having what they think are theirs – for Alvarez, the title of National Artist, for Arroyo, the presidency.
There are reasons why there are rules. In this case, it is to make sure that people get the title through merit. With the exercise of presidential prerogative, Caparas’ and Alvarez’s victory is tainted with doubts of political payback. Just like how Hello Garci tainted Arroyo’s electoral victory.
***
One more reason why I think ours is a monarchy disguised as a republic – the exercise of presidential prerogative sounds like what a monarch will do. Long live the Queen!
5
Aug
Reflections on the life of a true citizen
It is hard to write a eulogy for someone you don’t know personally. That is why I have refrained from writing about Cory Aquino. What I know about her I have read in the papers and heard from people who knew her. But as a student of history, the life of Mrs. Aquino is full of good lessons for us Filipinos to learn. I caught the last part of the necrological services last night on the bus, on my way to Megamall. Two things stood out, and I want to ponder on these two. Let me ponder on the first one.
One thing that is consistently emerging from all the anecdotes, stories, and testimonies being shared by her family and friends is that she never shirked from her duty as a citizen of this country. After burying her husband, she could have retreated back in the United States, let their broken hearts heal, and live as normally as they could. It would have been easier to run away. But she chose to stay. When the clamor for her to run in the snap elections snowballed, she accepted with reluctance.
After her term, she could have chosen to live a private life, enjoying things that I am sure she had missed during her term. But when times were ambiguous and confusing, she chose to make a stand. Her son, Senator Benigno Aquino III related the story when she rushed to Fort Bonifacio during the 2006 Marine standoff. She could have chosen to stay at home and pray, but she went anyway, despite the inherent danger of the situation. When the Hello Garci scandal exploded, she could have chosen not to say anything, but instead she told Gloria Arroyo to resign. And when the NBN-ZTE scandal raged, she could have chosen to remain silent, but instead she supported Jun Lozada.
Someone said that for the former president, passivity and silence are not options for her. This is the single point that hit me, and it is stuck in my mind. I think this is the lesson that we should learn from Mrs. Aquino’s life. Because she cared for our country, she just could not stay silent and let these affront to our nation go on without opposition. She knows her duty as a citizen of this country. This is probably what we need to learn.
One more point. She was said to have exclaimed, “I thought my sacrifices have ended. There is no end to sacrifice.” As I was contemplating on that thought, I could not even imagine what would I do if I were in her situation. Those seven years of separation, seeing your loved one murdered, taking on a dictator, facing seven violent attempts to unseat her, facing the temptation of holding on to power – any weaker individual would have folded. I think I would.
What if I find myself facing such a crucial situation? God, I hope I will have the courage when that time comes.
5
Aug
Cory at Ayala, One Last Time
Video taken as Cory Aquino’s cortege passed by Ayala Avenue for the last time. Video taken using Nokia 5800 XpressMusic.
